title: NFTalkie-walkie blueyear: 2024src origin: link to assettype: digital assetsize: responsivetype: HTML/CSS/JS & audio recordingaudio: Hans Ulrich Reckvisual & code: Florian Kuhlmannblockchain: Base (L2 Ethereum by Coinbase) -> Transfer ETH to Base Blockchain HTML-based audio playing web piece using JavaScript, CSS animations, and embedded animated GIFs NFTalkie Walkies by Florian Kuhlmann and Hans Ulrich Reck Background […]
title: JESUS WAS A SURREALISTyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png Jesus Was a Surrealist juxtaposes two seemingly disparate realms: the mytho-historical foundations of the Christian West and the fluid, logic-defying space of the contemporary internet. At its core, the work proposes a provocative reframing of Jesus Christ—not as a strictly […]
title: endless_binary_loopsyear: 2024src origin: link to assettype: unique digital assetsize: responsivetype: HTML/CSS/JS HTML-based web piece using JavaScript, CSS animations, and embedded animated GIFs In endless_binary_loops, Florian Kuhlmann explores the structural aesthetics of digital systems and their cultural codification. The work manifests as an HTML-based web installation in which JavaScript-driven movements, CSS animations, and looping GIF sequences […]
title: THEIR WAYS PARTEDyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png This work was created in 2020/2021 as a direct response to the societal tensions and political measures during the COVID-19 pandemic—particularly those aspects the artist perceived as intrusive and repressive. THEIR WAYS PARTED ON THE INTERNET comments on the […]
title: universal consciousness internetyear: 2021src origin: link to assettype: unique digital assetsize: 11811 × 11811px, 300dpitype: png This visually dense work is an early conceptual precursor to the later text-based piece CONSCIOUSNESS AS AN INTERFACE, realized within the framework of Kunstbasis Ebertplatz with the support of Stefanie Klingemann. It merges media theory, psychology, and spiritual inquiry into a […]
title: YOUR DEEP WILL TO SUBMITyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png YOUR DEEP WILL TO SUBMIT feeds my insatiable longing for freedom (2020/21) was created in response to the societal reactions to the COVID-19 pandemic—particularly those political measures the artist experienced as intrusive and repressive. The work explores the complex […]
title: THERE IS NO SUCH THING ASyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png The digital collage There is no such thing as identity directly references the infamous statement by former British Prime Minister Margaret Thatcher: “There is no such thing as society.” As a key architect of European neoliberalism, Thatcher’s words […]
title: reality was overratedyear: 2024src origin: link to assettype: unique digital assetsize: 1347 × 1347px, 300dpitype: png Reality Was Overrated presents itself as a digital text-based intervention in public space, engaging directly with contemporary discourses on reality, virtuality, and the shifting foundations of collective self-perception. The concise, seemingly dry statement displayed on a large digital board gains critical […]
title: INSTALL CREATIVE CLASS EXEyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png The digital work engages with the social transformation of the bourgeois milieu brought about by the rise of the so-called “Creative Class,” as described by Richard Florida in The Rise of the Creative Class. From a Marxist […]
title: INSTALL CREATIVE CLASS EXEyear: 2021src origin: link to assettype: unique digital assetsize: 8268 × 11811px, 300dpitype: png Die digitale Arbeit setzt sich mit dem sozioökonomischen Wandel des bürgerlichen Milieus auseinander, ausgelöst durch den Aufstieg der sogenannten „Creative Class“, wie ihn Richard Florida in The Rise of the Creative Class beschreibt. Aus einer marxistischen Perspektive […]